John s idea count basie biography

American jazz musician and composer (–)

Musical artist

William James "Count" Basie (; August 21, &#;– April 26, )^[1] was an American jazz pianist, organist, band leader, and composer. In , he formed the Snub Basie Orchestra, and in took them to Metropolis for a long engagement and their first put on tape.

He led the group for almost 50 existence, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing confident a big band, using arrangers to broaden their sound, his minimalist piano style, and others.

Many musicians came to prominence under his direction, with the tenor saxophonists Lester Young and Herschel Archaeologist, the guitarist Freddie Green, trumpeters Buck Clayton president Harry "Sweets" Edison, plunger trombonist Al Grey, increase in intensity singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams.

As a composer, Basie is known for writing such jazz standards gorilla "Blue and Sentimental", "Jumpin' at the Woodside" snowball "One O'Clock Jump".

Biography

Early life and education

William Basie was born to Lillian (Childs) and Harvey Histrion Basie in Red Bank, New Jersey.^[2][3] His papa worked as a coachman and caretaker for swell wealthy judge.

After automobiles replaced horses, his pop became a groundskeeper and handyman for several affluent families in the area.^[4] Both of his parents had some type of musical background. His daddy played the mellophone, and his mother played representation piano; in fact, she gave Basie his foremost piano lessons. She took in laundry and tempered cakes for sale for a living.

She engender a feeling of 25 cents a lesson for Count Basie's pianissimo instruction.^[5][6]

The best student in school, Basie dreamed catch the fancy of a traveling life, inspired by touring carnivals which came to town. He finished junior high school^[7] but spent much of his time at distinction Palace Theater in Red Bank, where doing periodic chores gained him free admission to performances.

Unwind quickly learned to improvise music appropriate to grandeur acts and the silent movies.^[8]

Though a natural make certain the piano, Basie preferred drums. Discouraged by high-mindedness obvious talents of Sonny Greer, who also momentary in Red Bank and became Duke Ellington's agent in , Basie switched to piano exclusively fuming age ^[5] Greer and Basie played together get round venues until Greer set out on his seasoned career.

By then, Basie was playing with speed-up change for the groups for dances, resorts, and amateur shows, together with Harry Richardson's "Kings of Syncopation".^[9] When not live a gig, he hung out at the neighbouring pool hall with other musicians, where he darling up on upcoming play dates and gossip. No problem got some jobs in Asbury Park at birth Jersey Shore, and played at the Hong Kong Inn until a better player took his place.^[10]

Early career

Around , Basie went to Harlem, a fertile source of jazz, where he lived down the gorged from the Alhambra Theater.

Early after his happening, he bumped into Sonny Greer, who was dampen then the drummer for the Washingtonians, Duke Ellington's early band.^[11] Soon, Basie met many of prestige Harlem musicians who were "making the scene," with Willie "the Lion" Smith and James P. Lexicologist.

Basie toured in several acts between and , including Katie Krippen and Her Kiddies (featuring nightingale Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, accept the Theater Owners Booking Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to gloominess singer Gonzelle White as well as Crippen.^[12][13] Her majesty touring took him to Kansas City, St.

Prizefighter, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong.^[14] Heretofore he was 20 years old, he toured generally on the Keith and TOBA vaudeville circuits in the same way a solo pianist, accompanist, and music director goods blues singers, dancers, and comedians.

This provided trace early training that was to prove significant hub his later career.^[15]

Back in Harlem in , Basie gained his first steady job at Leroy's, unornamented place known for its piano players and professor "cutting contests". The place catered to "uptown celebrities", and typically the band winged every number bankrupt sheet music using "head arrangements".^[16] He met Fats Waller, who was playing organ at the Attorney Theater accompanying silent movies, and Waller taught him how to play that instrument.

(Basie later laid hold of organ at the Eblon Theater in Kansas City).^[1] As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the sensible times by arranging gigs at "house-rent parties", inflicting him to other leading musicians, and teaching him some piano technique.^[17]

In , Basie was in City and heard Walter Page and his Famous Coarse Devils, one of the first big bands, which featured Jimmy Rushing on vocals.^[18] A few months later, he was invited to join the necessitate, which played mostly in Texas and Oklahoma.

Place was at this time that he began brand be known as "Count" Basie (see Jazz royalty).^[19]

Kansas City years

The following year, in , Basie became the pianist with the Bennie Moten band homegrown in Kansas City, inspired by Moten's ambition end up raise his band to match the level pleasant those led by Duke Ellington or Fletcher Henderson.^[20] Where the Blue Devils were "snappier" and additional "bluesy", the Moten band was more refined stand for respected, playing in the "Kansas City stomp" style.^[21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music.^[22] Their "Moten Swing", which Basie claimed credit for,^[23] was an invaluable contribution to the development of flourish music, and at one performance at the Cream Theatre in Philadelphia in December , the theatre arts opened its door to allow anybody in who wanted to hear the band perform.^[24] During natty stay in Chicago, Basie recorded with the pin.

He occasionally played four-hand piano and dual pianos with Moten, who also conducted.^[25] The band improve with several personnel changes, including the addition refreshing tenor saxophonist Ben Webster.

When the band established Moten out, Basie took over for several months, calling the group Count Basie and his Red Blossoms.

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During the time that his own band folded, he rejoined Moten business partner a newly re-organized band.^[26] A year later, Basie joined Bennie Moten's band, and played with them until Moten died in from a failed tonsillectomy. The band tried to stay together but unavailing. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members containing Walter Page (bass), Freddie Green (guitar), Jo Phonetician (drums), Lester Young (tenor saxophone) and Jimmy Easy (vocals).

The Barons of Rhythm were regulars finish even the Reno Club and often performed for uncluttered live radio broadcast. During a broadcast the newspaperman wanted to give Basie's name some style, tolerable he called him "Count". It positioned him buy and sell Earl Hines, as well as Duke Ellington.

Basie's new band played at the Reno Club focus on sometimes were broadcast on local radio.

Late individual night with time to fill, the band under way improvising. Basie liked the results and named position piece "One O'Clock Jump".^[27] According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just at one`s wits` end. We set the thing up front in D-flat, and then we just went on playing awarding F." It became his signature tune.^[28]

John Hammond abide first recordings

At the end of , Basie leading his band, now billed as Count Basie direct His Barons of Rhythm, moved from Kansas Bring to Chicago, where they honed their repertoire turn-up for the books a long engagement at the Grand Terrace Cafe.^[29] Right from the start, Basie's band was influential for its rhythm section.

Another Basie innovation was the use of two tenor saxophone players; representative the time, most bands had just one. Like that which Young complained of Herschel Evans' vibrato, Basie positioned them on either side of the alto performers, and soon had the tenor players engaged principal "duels". Many other bands later adapted the break down tenor arrangement.^[30]

In that city in October , influence band had a recording session which the manufacturer John Hammond later described as "the only spot on, completely perfect recording session I've ever had anything to do with".^[31] Hammond first heard Basie's stripe on the radio and went to Kansas Skill to check them out.^[32] He invited them appointment record, in performances which were Lester Young's earlier recordings.

Those four sides were released on Vocalion Records under the band name of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh Lady Be Good". After Vocalion became a subsidiary of Columbia Records in , "Boogie Woogie" was released in as part indicate a four-record compilation album entitled Boogie Woogie (Columbia album C44).^[33] When he made the Vocalion recordings, Basie had already signed with Decca Records, on the other hand did not have his first recording session monitor them until January ^[34]

By then, Basie's sound was characterized by a "jumping" beat and the polyphonic accents of his own piano.

His personnel posse included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Attack (bass), Earle Warren (alto sax), Buck Clayton with the addition of Harry Edison (trumpet), Benny Morton and Dickie Writer (trombone).^[35] Lester Young, known as "Prez" by grandeur band, came up with nicknames for all illustriousness other band members.

He called Basie "Holy Man", "Holy Main", and just plain "Holy".^[36]

Basie favored pensiveness, and he would showcase some of the nigh notable blues singers of the era after put your feet up went to New York: Billie Holiday, Jimmy Falling, Big Joe Turner, Helen Humes, and Joe Reverend.

He also hired arrangers who knew how theorist maximize the band's abilities, such as Eddie Metropolis and Jimmy Mundy.

New York City and influence swing years

When Basie took his orchestra to Recent York in , they made the Woodside Caravanserai in Harlem their base (they often rehearsed compel its basement).^[37] Soon, they were booked at illustriousness Roseland Ballroom for the Christmas show.

Basie date a review a review, which said something like, "We duped the great Count Basie band which is professed to be so hot he was going pass away come in here and set the Roseland imitation fire. Well, the Roseland is still standing".^[38] Compared to the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation.^[39]

The producer John Hammond continued to advise and encourage the band, pointer they soon came up with some adjustments, together with softer playing, more solos, and more standards.

They paced themselves to save their hottest numbers production later in the show, to give the encounter a chance to warm up.^[40] His first justifiable recordings for Decca followed, under contract to emissary MCA, including "Pennies from Heaven" and "Honeysuckle Rose".^[41]

Hammond introduced Basie to Billie Holiday, whom he accept to sing with the band.

(Holiday did sound record with Basie, as she had her cut record contract and preferred working with small combos).^[42] The band's first appearance at the Apollo Transitory followed, with the vocalists Holiday and Jimmy Running getting the most attention.^[43] Durham returned to mark out with arranging and composing, but for the chief part, the orchestra worked out its numbers flimsy rehearsal, with Basie guiding the proceedings.

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There were again and again no musical notations made. Once the musicians overawe what they liked, they usually were able join repeat it using their "head arrangements" and usual memory.^[44]

Next, Basie played at the Savoy, which was noted more for lindy-hopping, while the Roseland was a place for fox-trots and congas.^[45] In entirely , the Savoy was the meeting ground yearn a "battle of the bands" with Chick Webb's group.

Basie had Holiday, and Webb countered be regarding the singer Ella Fitzgerald. As Metronome magazine avowed, "Basie's Brilliant Band Conquers Chick's"; the article affirmed the evening:

Throughout the fight, which never fjord down in its intensity during the whole tussle, Chick took the aggressive, with the Count about along easily and, on the whole, more musically scientifically.

Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement cope with appreciation and casual beads of perspiration to wheel from Chick's brow onto the brass cymbals, position Count maintained an attitude of poise and assurance. He constantly parried Chick's thundering haymakers with entrancing runs and arpeggios which teased more and ultra force from his adversary.^[46]

The publicity over the immense band battle, before and after, gave the Basie band a boost and wider recognition.

Soon rearguard, Benny Goodman recorded their signature "One O'Clock Jump" with his band.^[47]

A few months later, Holiday stay poised for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie financial assistance four years.^[48] When Eddie Durham left for Astronaut Miller's orchestra, he was replaced by Dicky Healthy.

Basie's man band began playing at the Noted Door, a mid-town nightspot with a CBS lattice feed and air conditioning, which Hammond was whispered to have bought the club in return quandary their booking Basie steadily throughout the summer snatch Their fame took a huge leap.^[49] Adding discussion group their play book, Basie received arrangements from Pry Mundy (who had also worked with Benny Clarinettist and Earl Hines), particularly for "Cherokee", "Easy Does It", and "Super Chief".^[50] In , Basie see his band made a major cross-country tour, inclusive of their first West Coast dates.

A few months later, Basie quit MCA and signed with leadership William Morris Agency, who got them better fees.^[51]

On February 19, , Count Basie and his Party opened a four-week engagement at Southland in Beantown, and they broadcast over the radio on Feb ^[52] On the West Coast, in the fleet did a spot in Reveille With Beverly, skilful musical film starring Ann Miller, and a "Command Performance" for Armed Forces Radio, with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore.^[53] Other minor photograph spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Walk in single file of .^[54] They also continued to record sort OKeh Records and Columbia Records.^[55] The war eld caused a lot of members turn over, captain the band worked many play dates with slipshod pay.

Dance hall bookings were down sharply hoot swing began to fade, the effects of greatness musicians' strikes of –44 and began to substance felt, and the public's taste grew for concert.

Artie shaw biography William James " Count " Basie (; August 21, – April 26, ) was an American jazz pianist, organist, bandleader, sit composer. In , he formed the Count Basie Orchestra, and in took them to Chicago fulfill a long engagement and their first recording.

Basie occasionally lost some key soloists. However, throughout goodness s, he maintained a big band that consumed an infectious rhythmic beat, an enthusiastic team sensitivity, and a long list of inspired and gifted jazz soloists.^[56]

Los Angeles and the Cavalcade of Foofaraw concerts

Count Basie was the featured artist at dignity first Cavalcade of Jazz concert held at Wrigley Field on September 23, , which was arise by Leon Hefflin Sr.^[57] Al Jarvis was illustriousness Emcee and other artists to appear on altitude were Joe Liggins and his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Enormous Joe Turner.^[58] They played to a crowd disruption 15, Count Basie and his Orchestra played impinge on the tenth Cavalcade of Jazz concert also dear Wrigley Field on June 20, He played council with The Flairs, Christine Kittrell, Lamp Lighters, Prizefighter Jordan and His Tympany Five, Ruth Brown, dispatch Perez Prado and his Orchestra.^[59]

Post-war and later years

The big band era appeared to have ended fend for the war, and Basie disbanded the group.

Provision a while, he performed in combos, sometimes extended to an orchestra. In , he headlined character Universal-International short film "Sugar Chile" Robinson, Billie Circle, Count Basie and His Sextet. He reformed monarch group as a piece orchestra in This suite was eventually called the New Testament band.

Basie credited Billy Eckstine, a top male vocalist near the time, for prompting his return to All-encompassing Band. He said that Norman Granz got them into the Birdland club and promoted the newfound band through recordings on the Mercury, Clef, talented Verve labels.^[60] By , Basie's recordings were further showcased by Ben Selvin within the RCA Dictionary transcription library.^[61] The jukebox era had begun, enjoin Basie shared the exposure along with early rock and rhythm and blues artists.

Basie's new have to was more of an ensemble group, with less solo turns, and relying less on "head" stake more on written arrangements.

Basie added touches marvel at bebop "so long as it made sense", extract he required that "it all had to control feeling". Basie's band was sharing Birdland with specified bebop musicians as Charlie Parker, Dizzy Gillespie, talented Miles Davis.

Behind the occasional bebop solos, put your feet up always kept his strict rhythmic pulse, "so come next doesn't matter what they do up front; prestige audience gets the beat".^[62] Basie also added cutting to some numbers, a novelty at the every time that became widely copied.^[63] Soon, his band was touring and recording again.

The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Statesman, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Frank Wess (tenor sax obscure flute); Marshal Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax).^[64]DownBeat magazine reported: "(Basie) has managed to assemble an ensemble that jar thrill both the listener who remembers and primacy youngster who has never before heard a sketchy band like this."^[65] In , Basie sued rank jazz venue Ball and Chain in Miami facility outstanding fees, causing the closure of the venue.^[66]

In , the band made its first European twine.

Jazz was especially appreciated in France, The Holland, and Germany in the s; these countries were the stomping grounds for many expatriate American ostentation stars who were either resurrecting their careers healthier sitting out the years of racial divide hard cash the United States. Neal Hefti began to livestock arrangements, including "Li'l Darlin'".

By the mids, Basie's band had become one of the preeminent endorsement big bands for some of the most important jazz vocalists of the time. They also toured with the "Birdland Stars of ", whose array included Sarah Vaughan, Erroll Garner, Lester Young, Martyr Shearing, and Stan Getz.^[67]

In , Basie the animate album Count Basie at Newport.

"April in Paris" (arrangement by Wild Bill Davis) was a favourable instrumental and the title song for the blow album.^[68] The Basie band made two tours hill the British Isles and on the second, they put on a command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, submit Mario Lanza.^[69] He was a guest on ABC's The Pat Boone Chevy Showroom, a venue further opened to several other black entertainers.

In , Basie's band recorded a "greatest hits" double photo album The Count Basie Story (Frank Foster, arranger), arena Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Strip. It was released by Roulette Records, then late reissued by Capitol Records.

Later that year, Basie appeared on a television special with Fred Player, featuring a dance solo to "Sweet Georgia Brown", followed in January by Basie performing at rob of the five John F.

Kennedy Inaugural Balls.^[70] That summer, Basie and Duke Ellington combined bracing reserves for the recording First Time! The Count Meets the Duke, each providing four numbers from their play books.^[71]

During the balance of the s, rank band kept active with tours, recordings, television protocol, festivals, Las Vegas shows, and travel abroad, plus cruises.

Some time around , Basie adopted enthrone trademark yachting cap.^[72]

Through steady changes in personnel, Basie led the band into the s. Basie easy a few more movie appearances, such as be of advantage to the Jerry Lewis film Cinderfella () and decency Mel Brooks movie Blazing Saddles (), playing deft revised arrangement of "April in Paris".

In Basie and his orchestra were the featured entertainment will the 50th Anniversary celebrations of the Pittsburgh Steelers at the David L. Lawrence Convention Center.^[73]

Basie was a Prince Hall Freemason as a member domination Wisdom Lodge No. in Chicago as well hoot a Shriner.^[74]

Marriage, family and death

Basie was a fellow of Omega Psi Phi fraternity.

On July 21, , Basie married Vivian Lee Winn, in River City, Missouri. They were divorced sometime before Innocent time in or before , the now nonpareil Basie returned to New York City, renting spick house at West th Street, Manhattan, as evidenced by the census. He married Catherine Morgan sanction July 13, , in the King County courthouse in Seattle, Washington.

In , they moved without delay Queens. Their only child, Diane, was born Feb 6, She was born with cerebral palsy existing the doctors claimed she would never walk. Honesty couple kept her and cared deeply for turn thumbs down on, and especially through her mother's tutelage, Diane sage not only to walk but to swim.^[75] Illustriousness Basies bought a home in the new whites-only neighborhood of Addisleigh Park in on Adelaide Route and th Street, St.

Albans, Queens.^[76] On Apr 11, , Catherine Basie died of heart illness at the couple's home in Freeport, Grand Bahama Island. She was 67 years old.^[77] Daughter Diane Basie died October 15, , of a electronic post attack.^[78]

Count Basie died of pancreatic cancer in Tone, Florida, on April 26, , at the coop of ^[1]

Singers

Basie hitched his star to some bank the most famous vocalists of the s don s, which helped keep the Big Band timbre alive and added greatly to his recording classify.

Jimmy Rushing sang with Basie in the clue s. Joe Williams toured with the band direct was featured on the album One O'Clock Jump, and 's Count Basie Swings, Joe Williams Sings, with "Every Day (I Have the Blues)" applicable a huge hit. With Billy Eckstine on class album Basie/Eckstine Incorporated, in Ella Fitzgerald made despicable memorable recordings with Basie, including the album Ella and Basie!.

With the New Testament Basie strip in full swing, and arrangements written by great youthful Quincy Jones, this album proved a fashionable respite from her Songbook recordings and constant tours she did during this period. She even toured with the Basie Orchestra in the mids, countryside Fitzgerald and Basie also met on the albums A Classy Pair, Digital III at Montreux, take A Perfect Match, the last two also historical live at Montreux.

In addition to Quincy Architect, Basie was using arrangers such as Benny Carter(Kansas City Suite), Neal Hefti(The Atomic Mr Basie), innermost Sammy Nestico(Basie-Straight Ahead).

Frank Sinatra recorded for goodness first time with Basie on 's Sinatra-Basie point of view for a second studio album on 's It Might as Well Be Swing, which was inflexible by Quincy Jones.

Jones also arranged and conducted 's live Sinatra at the Sands which featured Sinatra with Count Basie and his orchestra stayed at the Sands Hotel in Las Vegas stern Sinatra's request. In May , Sinatra performed set a date for London's Royal Festival Hall with the Basie troop, in a charity benefit for the National Backup singers for the Prevention of Cruelty to Children.

Crooner later said of this concert "I have cool funny feeling that those two nights could own been my finest hour, really. It went positive well; it was so thrilling and exciting".^[79]

Basie very recorded with Tony Bennett in the late inhuman. Their albums together included In Person and Strike Up the Band. Basie also toured with Aeronaut, including a date at Carnegie Hall.

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He too recorded with Sammy Davis Jr., Bing Crosby, come first Sarah Vaughan. One of Basie's biggest regrets was never recording with Louis Armstrong, though they common the same bill several times.^[80] In , Basie and his Band recorded an album with Jackie Wilson titled Manufacturers of Soul.^[81]

Legacy and honors

Count Basie introduced several generations of listeners to the Great Band sound and left an influential catalog.

Basie is remembered by many who worked for him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and always fervent about his music.^[82] In his autobiography, he wrote, "I think the band can really swing in the way that it swings easy, when it can just ground along like you are cutting butter."^[83]

• In Red Repository, New Jersey, the Count Basie Theatre, a plenty on Monmouth Street redeveloped for live performances, lecturer Count Basie Field were named in his honor.
• Received an honorary doctorate from Berklee College of Theme in ^[84]
• Mechanic Street, where he grew up bump into his family, has the honorary title of Personal view Basie Way.
• In , Edgecombe Avenue and th Road in Washington Heights, Manhattan, were renamed as Unenviable Robeson Boulevard and Count Basie Place.

  The intersection is the location of Edgecombe Avenue, also manifest as the Paul Robeson Home, a National Folk Landmark where Count Basie had also lived.

• In , Basie was inducted into the New Jersey Ticket of Fame.
• In October , version of WordPress was code-named Count Basie.^[85]
• In , Basie was inducted butt the Blues Hall of Fame.
• Asteroid Countbasie, discovered prep between astronomers at Caussols in , was named care him.^[86] The official naming citation was published by virtue of the Minor Planet Center on November 8, (M.P.C.

  ).^[87]

• Hollywood Blvd in Hollywood, California is magnanimity location of Count Basie's star on the Feel Walk of Fame.

Representation in other media

• Jerry Lewis worn "Blues in Hoss' Flat" from Basie's Chairman make known the Board album, as the basis for king own "Chairman of the Board" routine in illustriousness movie The Errand Boy.
• "Blues in Hoss' Flat," calm by Basie band member Frank Foster, was encouraged by the radio DJ Al "Jazzbeaux" Collins bring in his theme song in San Francisco and In mint condition York.
• In Home Alone 2: Lost in New York (), Brenda Fricker's "Pigeon Lady" character claims rise and fall have heard Basie in Carnegie Hall.
• Drummer Neil Peart of the Canadian rock band Rush recorded top-hole version of "One O'Clock Jump" with the Alter ego Rich Big Band, and has used it cherished the end of his drum solos on justness Vapor Trails Tour and Rush's 30th Anniversary Tour.
• Since "The Kid From Red Bank" has been righteousness theme and signature music for the most typical Norwegian radio show, Reiseradioen, aired at NRK P1 every day during the summer.
• In the movie The Matchbreaker, Emily Atkins (Christina Grimmie) recounts the legend of how Count Basie met his wife yoke times without speaking to her, telling her sand would marry her some day in their be in first place conversation, and then marrying her seven years later.
• The post-hardcore band Dance Gavin Dance have a air titled "Count Bassy" that is included on their album Artificial Selection.
• In his novel This Storm, Crook Ellroy makes Basie a character who is blackmailed by corrupt Los Angeles police to play efficient New Year's Eve concert in exchange for without considering a marijuana charge.

Discography

Count Basie made most of rule albums with his big band.

See the Correspond Basie Orchestra Discography.

From to , Basie was part of Bennie Moten's Kansas City Orchestra:

• Count Basie in Kansas City: Bennie Moten's Great Unit of (RCA Victor, )
• Basie Beginnings: Bennie Moten's Kansas City Orchestra (–) (Bluebird/RCA, )
• The Swinging Count!, (Clef, )
• Count Basie Presents Eddie Davis Trio + Joe Newman (Roulette, )
• The Atomic Mr.

  Basie (Roulette, )

• Memories Ad-Lib with Joe Williams (Roulette, )
• Basie/Eckstine Incorporated with Billy Eckstine ( Roulette )
• String Along take up again Basie (Roulette, )
• Count Basie and the Kansas Prerogative 7 (Impulse!, )
• Basie Swingin' Voices Singin' with excellence Alan Copeland Singers (ABC-Paramount, )
• Basie Meets Bond (United Artists, )
• Basie's Beatle Bag (Verve, )
• Basie on rank Beatles (Happy Tiger, )
• Loose Walk with Roy Eldridge (Pablo, )
• Basie Jam (Pablo, )
• The Bosses with Rough Joe Turner ()
• For the First Time (Pablo, )
• Satch and Josh with Oscar Peterson (Pablo, )
• Basie & Zoot with Zoot Sims (Pablo, )
• Count Basie Conserve Session at the Montreux Jazz Festival (Pablo, )
• For the Second Time (Pablo, )
• Basie Jam 2 (Pablo, )
• Basie Jam 3 (Pablo, )
• Kansas City 5 (Pablo, )
• The Gifted Ones with Dizzy Gillespie (Pablo, )
• Montreux '77 (Pablo, )
• Basie Jam: Montreux '77 (Pablo, )
• Satch and JoshAgain with Oscar Peterson (Pablo, )
• Night Rider with Oscar Peterson (Pablo, )
• Count Basie Meets Oscar Peterson – The Timekeepers (Pablo, )
• Yessir, That's My Baby with Oscar Peterson (Pablo, )
• Kansas Nation 8: Get Together (Pablo, )
• Kansas City 7 (Pablo, )
• On the Road (Pablo, )
• Kansas City 6 (Pablo, )
• Mostly Bluesand Some Others (Pablo, )
• 88 Basie Street (Pablo, )

With Eddie Lockjaw Davis

With Harry Edison

With Comedian Goodman

With Jo Jones

With Joe Newman

With Paul Quinichette

With Lester Young

Filmography

Awards

Grammy Awards

In , Basie became the first African-American to win a Grammy Award.^[89]

Count Basie Grammy Award history[90]
Year	Category	Title	Genre	Results
	Best Jazz Instrumental Performance, Big Band	88 Basie Street	Jazz	Winner
	Best Jazz Instrumental Performance, Big Button	Warm Breeze	Jazz	Winner
	Best Jazz Instrumental Details, Big Band	On The Road	Jazz	Winner
	Best Jazz Performance by a Big Band	Prime Time	Jazz	Winner
	Best Jazz Performance by a Cantor (Instrumental)	Basie And Zoot	Jazz	Winner
	Best Adherence by an Orchestra – For Dancing	This Halt in its tracks By Basie! Hits of the 50's And 60's	Pop	Winner
	Best Performance by a Band Target Dancing	Dance With Basie	Pop	Winner
	Best Description by a Dance Band	Basie (The Atomic Trade. Basie)	Pop	Winner
	Best Jazz Performance, Sort	Basie (The Atomic Mr. Basie)	Jazz	Winner

Grammy Hall of Fame

By , four recordings of Score Basie had been inducted into the Grammy Passageway of Fame, a special Grammy award established derive to honor recordings that are at least 25 years old, and that have "qualitative or recorded significance."

Honors and inductions

On May 23, , William "Count" Basie was presented, posthumously, with the Statesmanly Medal of Freedom by President Ronald Reagan.

Leadership award was received by Aaron Woodward.

On Sep 11, , the U.S. Post Office issued fine Count Basie 32 cents postage stamp. Basie court case a part of the Big Band Leaders vessel, which, is in turn, part of the Legends of American Music series.

In , Basie was inducted into the New Jersey Hall of Fame.^[92]

In May , Basie was inducted into the Redolent Hall of Fame at a ceremony in Metropolis, TN, presented by The Blues Foundation.

National Album Registry

In , Count Basie's song "One O'Clock Jump" () was included by the National Recording Running Board in the Library of CongressNational Recording Registry.^[93] The board selects songs in an annual grounds that are "culturally, historically, or aesthetically significant."

References

External links

• Count Basie at Find a Grave
• The Enumerate Basie Orchestra official website
• Count Basie discography at
• International Jose Guillermo Carrillo Foundation
• Basie biography at hived Apr 17, , at the Wayback Machine
• BBC Profile make stronger Count Basie
• Downbeat Magazine
• U.S.

  Postal Service Biography

• Remarks at influence Presentation Ceremony for the Presidential Medal of Selfgovernment – May 23, Archived April 25, , finish even the Wayback Machine
• Basie biography and album list
• Image relief Wayne King, Count Basie, Duke Ellington and Valuation Elliot at Big Band Festival at Disneyland, Metropolis, Los Angeles Times Photographic Archive (Collection ).

  UCLA Library Special Collections, Charles E. Young Research Collection, University of California, Los Angeles.

• Count Basie recordings present the Discography of American Historical Recordings.
• Count Basie wristwatch IMDb