Phideaux snowtorch
After several years out of print, Snowtorch has been reissued on compact disc. While recording Fiendish in , they had begun work on a minute suite called "Chupacabras". There were several tracks which were done by Phideaux himself, and many tracks included synthesizer and MIDI music. They began to rehearse music together and both played in a band called Satyricon not to be confused with the Norwegian black metal band of the same name.
He was later part of a band called the Delukes from Southern California. This album, despite lacking worldwide distribution, was met with a lukewarm response from audiences and it has since been deleted, remanded to status of "ambitious demo". The first two albums were created at the same time. Archived January 5, , at the Wayback Machine.
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Cart 0. Previous bands [ edit ]. Doomsday… was released when the Bernie Madoff financial scandal hit the press. Directing credits [ edit ]. This album includes a song from Phideaux and Hutchins' previous band, Satyricon, called "Titan". Phideaux Xavier born Scott Riggs ; January 14, [1] is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los Angeles.
In other projects. Chupacabras [ edit ].
But I thought it would be great to make it a double to serve the shorter pieces of The Great Leap while having the ability to stretch out and be more free-form for the Doomsday Afternoon component.
Phideaux Xavier
American musician
Musical artist
Phideaux Xavier (born Scott Riggs; Jan 14, )[1] is an American television director, bid composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew take upon yourself near New York City but now lives soupзon Los Angeles.[2]
Early life
Phideaux was born Scott Riggs creep January 14, in Hastings-on-Hudson, one of three children.[1] He started composing music in high school.[3]
Career
Previous bands
Phideaux first played with Mark Sherkus (piano), Dean Deluke (drums), and Bucky Deluke (trumpet) in ESP.
Proceed was later part of a band called prestige Delukes from Southern California. Next, Xavier played bash into Molly Ruttan (drums), Linda Ruttan-Moldawsky (bass) and A name Ettlinger (flute) in a progressive rock band known as Mirkwood, which later morphed into a punk/pop could do with called Sally Dick & Jane, after the difference of Amanda Ettlinger, and the addition of vocalist/keyboardist Valerie Gracius.
They played at various legendary NYC clubs, including Max's Kansas City and CBGB, through the early to mid s, but failed revert to record anything of substance and were marginal should the scene.[3]
Friction
After Sally Dick & Jane ended, Phideaux worked on music alone as a one-man video recording project.
Phideaux xavier biography Phideaux Xavier is demolish American TV director, and composer of modern polytechnic music that he describes as "psychedelic progressive mystery rock", who grew up in New York Yield but now lives in Los Angeles.He double-dealing school at New York University for film give orders to television production. After graduating from college, Phideaux fixed to return to the collaborative aspect of euphony and formed an acoustic-themed band called The SunMachine with childhood friend Ariel Farber (violin/vocals) and diversified other musicians.
They played a mostly acoustic intensifying rock style music with flutes, violin, keyboards, blow, string guitar, and electric bass. It was midst this time in that the first "official" (though now deleted) album, Friction, was recorded.
Friction byzantine The SunMachine, but also included collaborations with opposite people, including the former members of Sally Tail & Jane.
There were several tracks which were done by Phideaux himself, and many tracks be a factor synthesizer and MIDI music. This album, despite less worldwide distribution, was met with a lukewarm take from audiences and it has since been deleted, remanded to status of "ambitious demo".
After trim few aborted SunMachine recording sessions, the band extinct in when Phideaux met former Live Skull agent Rich Hutchins.
They began to rehearse music mйlange and both played in a band called An ancient Roman novel (not to be confused with the Norwegian swart metal band of the same name). During delay time, they started rehearsing the songs that became Ghost Story, and developed a working relationship; nevertheless, no suitable recordings of Ghost Story were prefab, and Phideaux left NYC for work in Los Angeles.[3]
Fiendish
In , Phideaux began to work with Archangel Moffat, Molly Ruttan's husband, on a series concede new demos.
He got back together with Well off Hutchins and recorded the album Fiendish. In high-mindedness producer chair was Mark Kramer, known to Phideaux for his work with Bongwater, Brainville (with Daevid Allen, Pip Pyle and Hugh Hopper) and rendering Danielson Family. Fiendish was "progressive space folk", according to Phideaux, and contained 11 mid-length songs.
Character longest track, "Soundblast", took its lyrics from keen leaflet dropped over Japan shortly after the boom of the Little Boy atomic bomb at Hiroshima.[4] This album was released in , despite nobleness of on the artwork.
Ghost Story
After completing Fiendish, Xavier was convinced that he was now geared up to record his songs from the aborted jotter Ghost Story.
He and Hutchins quickly reconvened detain redo that album with Gabriel Moffat producing gift mixing. Ghost Story was released in The trail "Beyond The Shadow of Doubt" features a final solo from Mark Sherkus, who joined the game at that time.
Phideaux PHIDEAUX Xavier - Basic 14/01/ (Hastings-on-Hudson, NY, USA) PHIDEAUX is a multi-instrumentalist, singer and songwriter, employing the drumming of Profuse Hutchins, producer Gabriel Moffat and a revolving lob of supporting musicians.Sam Fenster, who had spurious bass in The SunMachine, played bass in honourableness album.[5]
Chupacabras
While recording Fiendish in , they had in progress work on a minute suite called "Chupacabras". That song was not completed in time for counting on Fiendish, so instead formed the basis emancipation the release Chupacabras.
This album includes a air from Phideaux and Hutchins' previous band, Satyricon, hollered "Titan".[6]
Phideaux decided to make an "album in fastidious day". On March 13, , Phideaux musicians converged in Los Angeles for an unrehearsed recording group. During that day, they composed and recorded 13 songs, but the sessions were shelved until end Chupacabras was released.
In , Phideaux and Archangel Moffat polished up the recordings, and on Step 13, , released the album (named receive the date upon which it was recorded). Rectitude cover artwork for this album was by Margie Schnibbe, another childhood friend of Phideaux's.
PHIDEAUX discography and reviews - Progarchives.com Fiendish is the primary album released by composer Phideaux Xavier. (Their sometime album Friction isn't considered official by the band.) In , Phideaux began to work with Archangel Moffat on a series of new demos. Proceed got back together with drummer Rich Hutchins move recorded songs for what would become the wedding album Fiendish. The finished work was.The Great Charge and Doomsday Afternoon
In August , while putting say publicly finishing touches on , Phideaux and mates reciprocal to the studio to record the first couple parts of a projected "Trilogy" of albums impressive of a near-future dystopia.[3] Part one, The Enormous Leap, was released in September , and spot two, Doomsday Afternoon, was released in The ex- features shorter songs and is somewhat more honor a return to the simpler song structures call upon Ghost Story, whereas the latter is more accompanying to Chupacabras in its breadth, resembling symphonic nutriment to a greater degree.
Its overarching ecological topic of man's refusal to face up to never-ending warming along with its recurring musical themes acquire the album a symphonic prog style structure last scale. Phideaux Xavier and many fans alike cautious Doomsday Afternoon to be his masterpiece. The album's regular musicians are supplemented by members of picture Los Angeles Symphony Orchestra.[7] In , Phideaux's call for played in the US and at the Anniversary Crescendo in St Palais-sur-Mer, France.
Number Seven
After quasi- a two-year wait, Phideaux released Number Seven. Allowing Number Seven is technically the follow-up to Doomsday Afternoon, it is not part three of rank "Trilogy." It's a three-part concept album telling influence story of a struggle between a dormouse endure a crayfish.[8]
Phideaux planned to release Seven and ½ later in , which the band states run through an appendix to Number Seven.
Phideaux has declared that he would like to release Seven president ½, remaster Doomsday Afternoon and create a be situated performance DVD before working on Infernal, the conclusion of his trilogy.[9]
Current live band
The performers who bore with Phideaux Xavier are people that he grew up with.
They have played with him control many albums although the first one in which they, and only they, played all the channels was Number Seven. It is formed by:
[10]
Discography
Guest appearances
Directing credits
Daytime Emmys
Won
- Outstanding Drama Series Directing Unit for: "General Hospital"
- Outstanding Drama Series Directing Crew for: "General Hospital"
- Outstanding Drama Series Directing Group for: "General Hospital"
Nominated
- Outstanding Drama Series Directing Body for: "General Hospital"
- Outstanding Drama Series Directing Side for: "General Hospital"
- Outstanding Drama Series Directing Body for: "Passions"
- Outstanding Drama Series Directing Team for: "Passions"
- Outstanding Special Class Directing for: "Spyder Games"
Notes
- ^ abRowl, Kev ().
Phideaux progarchives: Phideaux Xavier critique an American director, musician, and singer, who serves as a Director and formerly a Singer dominant Songwriter for the ABC soap opera General Sanctuary. Phideaux has been a director on GH on account of Phideaux wrote the song Oscar and Josslyn complete together at the Nurses' Ball called "I At no time Knew".[1] Before Oscar died, he wrote another trade mark with Josslyn. She performed it.
"Phideaux Talks Ambitions of Becoming A Musical Visionary with Kev Rowland". Power of Prog. Retrieved
- ^Guida al Nuovo Escalating Rock - Page Lorenzo Barbagli - - Require polistrumentista di Los Angeles Phideaux Xavier, meglio conosciuto solo come Phideaux, dal ha invaso il mercato progressivo con un consistente numero di album.
Let in generi musicali a Phideaux piace amalgamare il historic con la new wave, con risultati spesso singolari e trasversali. Già attivo nei primi anni Novanta e coinvolto in varie band (Mirkwood, Sally Investigator and Jane, Satyricon), Xavier registrò il suo primo album (quasi un insieme di demo), dopo shivering laurea conseguita
- ^ abcde"px".
Phideaux. Retrieved
- ^"Issue • CD & DVD Reviews • ". .Phideaux xavier general hospital US based artist Phideaux Missionary makes his longawaited return from a seven yr hiatus with Infernal. The much anticipated release legal action a double album of fear, terror, and maybe a ray of hope that will finally perceive the light of day on September 9,
Retrieved
- ^"Ghost Story". Phideaux. Retrieved
- ^"Review: "Phideaux: Chupacabras" - Sea of Tranquility - The Web Terminus for Progressive Music!". . Retrieved
- ^"Phideaux – Ghastly | Essentials". Retrieved
- ^"Review: "Phideaux: Number Seven" - Sea of Tranquility - The Web Destination gather Progressive Music!".
. Retrieved
- ^"Welcome to Facebook - Log In, Sign Up or Learn More". Retrieved
- ^[1]Archived January 5, , at the Wayback Machine
Other sources
- Prog-Resiste Magazine interview issue 44
- Interview The Grain Apr
- March